插畫的鏡頭語言─〈廚房〉插畫創作

Chaoyang University of Technology Institutional Repository > 設計學院 > 工業設計系 > 博碩士論文 > Item 310901800/25958

Please use this identifier to cite or link to this item: http://ir.lib.cyut.edu.tw:8080/handle/310901800/25958

Title:	插畫的鏡頭語言─〈廚房〉插畫創作 Len''s language of illustration ─ on “Kitchen”
Authors:	曾睦閔 Tseng, Mu-ming
Contributors:	工業設計系碩士班王桂沰 Kuei-To Wang
Keywords:	插畫;空間;角度;景框;鏡頭語言 illustration;lens language;frame;space;angle
Date:	2013-12-31
Issue Date:	2015-11-07 12:11:55 (UTC+8)
Abstract:	生活中每天充斥大量的圖像與影像，透過視覺的接收，比起文字可能有國界以及釋義上的隔閡，圖像與影像更能直接的表達使人更容易留下印象。電影在開拍前依照劇本所繪製的分鏡表就是由許多張插畫所組成，電影本身比插畫多了時間與空間的元素，因此更能使觀眾留下深刻的印象，而空間感的營造必須仰賴鏡頭語言的相互搭配來完成。吉本芭娜娜的小說擅長用各種不同的空間對應出角色內心的情緒狀態，〈廚房〉就是個藉由轉換不同空間達到修復內心創傷的故事。本創作以電影所使用的鏡頭語言元素，思考其運用於插畫創作之可能性，將電影的鏡頭、角度、景框三種鏡頭語言元素整理歸納後導入空間觀感作分析，與被攝物距離越遠的鏡頭因畫面所容納的背景面積增加而越能展現完整的空間感，角度與景框則傾向於輔助鏡頭，有使鏡頭增添力道的作用。將分析結果配合〈廚房〉文本，選用合適的鏡頭語言，導出以空蕩、孤獨的空間觀感為主的創作架構，以實際創作探討鏡頭語言應用在插畫上的可行性，試圖透過鏡頭語言帶領觀者進入插畫的圖面中。 Our daily lives are filled with a large amount of images and portraits. Comparing to the text which may have national boundaries and barriers of interpretation, images and portraits are more likely to leave impressions to people through visual reception. Storyboard that made up by a couple sheets of illustration was drawn accordingly to the script before a movie was shoot. Movies contain more elements of time and space than illustrations, thus, they leave stronger impressions to audience, in addition, the construction of the sense of space must rely on the lens language coordination to complete. Yoshimoto Banana’s novel is good at using different spaces corresponding to the inner emotion of different roles, the “Kitchen” is a story which heal the heart trauma by converting to different spaces. With the use of the lens language in movies and considering the possibility of applying it to illustrations, this creation analyze the lens, angles and view frames after summarizing and reintroduce them to the perception of space. The further distance between the lens and the subject, the bigger size of the background that accommodated in a scene. Therefore, they show more complete the sense of space. Angle and view frame are used to auxiliary the lens to add strength to it. This creation use the result of analysis with the texts of “Kitchen” and choose a suitable lens language, reintroduce a structure of empty, lonely spatial perception, exploring the feasibility of the application of lens language on illustrations by illustrating in person, hoping to lead the viewer into the drawing of illustrations through the lens language.
Appears in Collections:	[工業設計系] 博碩士論文

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